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Archive for the ‘The Lord of the Rings’ Category

On an upcoming  episode of SQPN’s “Secrets of Harry Potter” podcast, we will be discussing chapter four of The Lord of the Hallows, entitled “Harry Potter and The Bestiary of Christ.” This week, I am posting excerpts from that chapter. Here’s the first installment.

“There might be eagles. There might be stags…”

Badgers!” said Lucy.

—conversation between Peter and Lucy Pevensie in The Lion, the Witch, and the Wardrobe (LWW 112, emphasis mine.)

            In addition to the themes of free will, life after death, the immortality of the soul, and the power of love and self-sacrifice, the Harry Potter novels are rich in symbolism derived from ancient and Medieval folklore and legends. A wealth of information on Christian symbolism relevant to Harry Potter can be found in The Bestiary of Christ by Louis Charbonneau-Lassay.

This book was published in French in 1940 and in English in the early 1990’s. Much of the information in this book is a compilation of various Medieval bestiaries, which were treatises on animals and what they symbolized. Bestiaries were highly imaginative popular literature in Medieval times and were used to teach moral lessons and Christian theology. Some of the animal symbols in this book which are used in the Harry Potter novels include the lion, the serpent, the unicorn, the stag, the phoenix, the basilisk, and the weasel, among others. Our examination of animals used as symbols in the novels will begin with a closer look at the mascots of the four Hogwarts houses: the Slytherin serpent, the Gryffindor lion, the Ravenclaw eagle, and the Hufflepuff badger.

The Symbolism of the Four Houses

            During Harry’s first year at Hogwarts he is introduced to the Sorting Hat ceremony, a yearly ritual at the school in which the new students are sorted into one of four different houses, each house named after the four founders of Hogwarts: Salazaar Slytherin, Godric Gryffindor, Rowena Ravenclaw, and Helga Hufflepuff. The hat sings a song to explain the qualities that the four founders of Hogwarts were seeking when selecting students for his or her house:

 

            You might belong in Gryffindor

            Where dwell the brave at heart,

            Their daring, nerve, and chivalry

            Set Gryffindors apart;

            You might belong in Hufflepuff;

            Where they are just and loyal,

            Those patient Hufflepuffs are true

            And unafraid of toil;

            Or yet in wise old Ravenclaw,

            If you’ve a ready mind,

            Where those of wit and learning,

            Will always find their kind;

            Or perhaps in Slytherin

            You’ll make your real friends,

            Those cunning folk use any means

            To achieve their ends. (Harry Potter and the Sorcerer’s Stone, page 118)

            The conflict of good versus evil at Hogwarts focuses on the enmity between two houses that are always in direct opposition to each other: Gryffindor and Slytherin. Harry Potter, our heroic Gryffindor, is a model of what this house stands for: chivalry and courage. Draco Malfoy, Harry’s Slytherin arch-rival, is also a model of his house’s ideals: ambition and pure-blood supremacy. Even the two characters names reveal their allegiances.  Likewise, Professor Albus Dumbledore, a Gryffindor, and Lord Voldemort, the Heir of Slytherin, have names that were carefully chosen for their symbolic meaning.

Harry’s name could be thought of as the verb “to harry.” The term “to be harried” means to be harassed or distressed by repeated attacks,” as when Harry is harried by the many attempts Voldemort has made to kill him. The name Potter has symbolic meaning derived from the Bible, where God is referred to as a “potter,” as in Isaiah 64:8: “But now, O Lord, thou art our father; we are the clay, and thou our potter; and we are all the work of thy hand.” (KJV) Other references to God as the “potter” can be found in Jeremiah 18:5-6 and Romans 9:20-21.

Harry, Hermione, and Ron are in Gryffindor House, the House of the Lion. Their friend Luna is in Ravenclaw House, but here Luna is showing her support for her friends on the Gryffindor Quidditch team by wearing her unique lion hat.

The name Albus Dumbledore means “white bumblebee.” An alb is the white garment worn by a Catholic priest, and dumbledor is an archaic word that means bumblebee. Tolkien made use of this word in The Adventures of Tom Bombadil in “Errantry,” a poem which tells of a diminutive hero who vanquished the giant insects in battle. (Tolkien Reader 214) According to the Bestiary of Christ, the bumblebee was a symbol of the soul’s survival after death. The bee disappears in winter and reappears in the spring, thus becoming a signifier of the Resurrection.

"Dumbledore means 'bumblebee' in old English and JKR said that she liked to think of him walking down the corridors, humming to himself, so I thought I'd draw him humming away to the first spring bumblebee."--fan artist penguin2006

Draco Malfoy, on the other hand, has a name that has very negative connotations. Draco is the Latin word for “dragon” or “serpent,” both traditional Biblical symbols of Satan, most notably the serpent who tempted Eve in the book of Genesis and the serpent described in Revelation 20:2, “…the dragon, that ancient serpent, who is the Devil and Satan…” (KJV) The surname Malfoy can be thought of as the French mal foi, which translates as “bad faith,” so Draco Malfoy’s name literally means “Dragon of Bad Faith” or “Serpent of Bad Faith.”

Draco Malfoy's Dark Mark.

            The most extensive serpent imagery associated with any one character in the novels is that imagery which surrounds the supreme villain, Lord Voldemort. He is a descendant of Salazaar Slytherin, the founder of Slytherin House. He, like his ancestor, is a parselmouth who can speak to snakes. Voldemort has a hairless, snake-like appearance, having two slit-like nostrils instead of a human nose.

Voldemort

His loyal minions, the Death Eaters, are each identified by the Dark Mark, a distinctive snake and skull tattoo. This is a symbol from Christian art: the skull and serpent are often depicted at the foot of the Cross of Calvary. The skull represents death, the punishment for the sin of Adam, and it is symbolic of the fallen nature of mankind. According to Jewish legend, Adam’s burial place was at Golgotha, the “place of the skull.” The skull at the foot of the cross was there to represent Adam’s skull, and the serpent was present as an allusion to Satan, the great tempter in the Garden of Eden who brought about the fall of mankind.

In this depiction of the Crucifixion by Fra Angelico, the skull of Adam is present at the foot of the cross.

As the teenager Tom Riddle, Voldemort opened the Chamber of Secrets and unleashed the great serpent, the basilisk, upon the Hogwarts School. The basilisk, or cockatrice, is another symbol of Satan which is mentioned in Isaiah 14:29 (KJV): “Out of the serpent’s root shall come forth a cockatrice and his fruit shall be a fiery flying serpent.”  In The Bestiary of Christ, the basilisk is described as a symbol of Satanic evil. This is mentioned in a description of a little country church that was decorated with “the image of a knight on foot striking a helmeted basilisk with his sword. It is the struggle between Good and Evil, so often and variously depicted, and could be seen as Christ fighting with Satan.” (Bestiary 423) This imagery is found in Harry Potter and the Chamber of Secrets in the chapter that describes how Harry used the Sword of Godric Gryffindor to slay the basilisk.

The name Godric means “power of God,” reminding us that the Christian, like Harry, will not be abandoned in his or her fight with the Great Serpent. We have the “power of God” on our side in our conflict with the Dragon. Also note that the surname Gryffindor can be thought of as the French griffin d’or which means “griffin of gold.”  The griffin, according to the bestiaries, is a symbol of Christ because of its dual nature: it is both lion and eagle, just as Christ is both God and Man. The eagle is a creature of the heavens, symbolizing the divine nature of Christ, and the lion is a creature of the earth, representing Christ the Man. The griffin’s mastery of the earth and sky came to be associated with Christ’s Ascension. The griffin was, through its association with Jesus Christ, thought to be the enemy of serpents and basilisks who, as previously mentioned, are symbolic of the Devil.

Griffins from the recent film adaptation of The Lion, the Witch, and the Wardrobe by C. S. Lewis

The eagle, mascot of Ravenclaw House, was a symbol of Baptism because the ancients believed the eagle’s life was renewed by plunging itself three times into a body of water, hence its depiction on Christian baptismal fonts. The eagle was often depicted as a slayer of serpents in many cultures, and thus viewed as an enemy of Satan. Its ability to soar to great heights was associated with Christ’s Ascension, as well as with St. John, the evangelist who was considered to be the most “intellectual” of the four gospel authors. This association of the high-flying eagle with great intellectual acumen may be the reason J.K. Rowling made it the mascot for Ravenclaw, whose motto is “Wit beond measure is man’s greatest treasure.” The eagles in Tolkien’s The Hobbit and The Lord of the Rings have a brief but important role, used symbolically to represent Divine Providence or Divine Intervention.

"The Eagles are Coming" by fantasy artist Michael Whelan depicts the rescue of Frodo and Sam in The Return of the King by J. R. R. Tolkien

That the Gryffindor mascot is a lion is not surprising; the lion is a Biblical symbol of Christ and a symbol of the Resurrection.  In Revelation 5:5 Jesus is referred to as “the lion of the Tribe of Judah.” The lion was also a symbol of the Resurrection to the early and medieval Christians because it was believed that lion’s cubs were born dead. When the cubs were three days old, the father lion breathed on them and brought them to life, just as Christ lay in the tomb for three days before the Resurrection. This same symbolism of Christ the Lion is used by C. S. Lewis in The Chronicles of Narnia. The character of Aslan is a magnificent lion and a literary “Christ figure” who sacrifices himself to save the life of a human traitor. He is gloriously resurrected due to the workings of “Deeper Magic from Before the Dawn of Time.” We know that Jo Rowling read and loved this story as a child, and I believe that Lewis’s Narnian Chronicles had an influence on the plot and symbolism of the entire Harry Potter series.

Aslan's dramatic resurrection in The Lion, the Witch, and the Wardrobe by C. S. Lewis

Perhaps that is why Aslan’s colors are associated with Gryffindor House: Peter Pevensie’s shield was decorated with a red lion rampant, and his sword had a golden hilt. (LWW 160) Aslan’s army had tents of crimson and yellow, with banners depicting the red lion. (LWW 168) The colors of Gryffindor House are, of course, red and gold.

High King Peter, a knight of Narnia clad in Aslan's colors.

J.K. Rowling’s description of the Hufflepuff dormitories will seem familiar to fans of The Hobbit and The Lord of the Rings: There are “little underground tunnels leading to the dormitories, all of which have perfectly round doors, like barrel tops,” she said in the Bloomsbury live online chat on July 30, 2007. This description sounds remarkably like the description Tolkien gave of Bilbo Baggins’ home, a comfortable hobbit hole called Bag End. Bilbo’s home is a cozy, luxurious tunnel-like construction with perfectly round doors.

Gandalf visits Bag End in The Hobbit and The Lord of the Rings.

Hufflepuff House is known for the virtues of loyalty and hard work, and is represented by a badger mascot. Perhaps a Narnian influence can be detected here as well: in Lewis’ Prince Caspian the badger Trufflehunter is one of the Old Narnians that aids Caspian in the war with the wicked usurper, King Miraz. Trufflehunter the Badger is loyal to Aslan even in the darkest of times. Trufflehunter’s faith in the Great Lion remains strong, even when many other Narnians have ceased to believe. Likewise, there are many Hufflepuff students who are loyal to Harry: some are members of Dumbledore’s Army, and many more are among the large number of Hufflepuff students who stand alongside the Gryffindors and Ravenclaws who fight to defend the castle in the Battle of Hogwarts.

Loyal as a badger: Trufflehunter was known for his loyalty to Aslan in Chronicles of Narnia. Loyalty is also a virtue that the members of Hufflepuff House are known to display.
 Please subscribe to this blog so that you don’t miss the next installment of “Harry Potter and the Bestiary of Christ,” which is entitled “The Slaying of the Unicorn.” If you would like to order a copy of The Lord of the Hallows: Christian Symbolism and Themes in J. K. Rowling’s Harry Potter by Denise Roper, the book can be obtained from www.outskirtspress.com/thelordofthehallows.

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Geek Tyrant has the scoop on The Lord of the Rings Trilogy Extended Edition on Blu-Ray. Watch the trailer on their site.

http://geektyrant.com/news/2011/3/7/lord-of-the-rings-trilogy-extended-edition-blu-ray-details-r.html

You can pre-order it here: http://www.amazon.com/gp/product/B0026L7H20?ie=UTF8&ref_=wb_lotrext_bdb&linkCode=shr&camp=213733&creative=393189&tag=tolkcollsguid-20

Harry Potter and the Deathly Hallows Part One will be released on DVD on April 15.

http://www.amazon.com/Harry-Potter-Deathly-Hallows-Part/dp/B001UV4XHY

Some fans may want to purchase the 3-disc Blu-Ray, DVD, and digital combo pack:

http://www.amazon.com/gp/product/B001UV4XI8/ref=pd_lpo_k2_dp_sr_1?pf_rd_p=486539851&pf_rd_s=lpo-top-stripe-1&pf_rd_t=201&pf_rd_i=B001UV4XHY&pf_rd_m=ATVPDKIKX0DER&pf_rd_r=03V9HSVCST8B2JQBN04X

Voyage on the Dawn Treader will be released on DVD on April 8.

http://www.amazon.com/Chronicles-Narnia-Voyage-Treader-Two-Disc/dp/B002ZG99PE/ref=sr_1_1?s=dvd&ie=UTF8&qid=1299518957&sr=1-1

I’m saving up for the Harry Potter and Narnia DVDs. I don’t have a Blu-Ray player yet, though I am tempted to buy one with all of these awesome discs soon to be released. Well, if you decide to spend money on amazon.com, don’t forget to purchase  a copy of this:

http://www.amazon.com/Lord-Hallows-Christian-Symbolism-Rowlings/dp/1432741128/ref=sr_1_1?s=books&ie=UTF8&qid=1299519492&sr=1-1

If you do buy my book, please let me know what you think of it. Thanks! :)

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1/7/11 I just read that Elijah Wood (Frodo from The Lord of the Rings films) will appear in The Hobbit. This is great news for fans of his performance in Peter Jackson’s epic trilogy based on J. R. R. Tolkien’s masterpiece.

You can read more about this and other casting news at http://www.theonering.net/torwp/2011/01/07/41520-elijah-wood-will-be-in-the-hobbit/. I certainly hope that Andy Serkis will return as Gollum and Ian McKellen will reprise the role of Gandalf. I just can’t imagine anyone else portraying those two characters. Can you?

UPDATE 1/11/11: I got my wish! Andy and Ian have signed on to the project! :) http://the-hobbitmovie.com/ian-mckellen-and-andy-serkis-join-hobbit/?utm_source=twitterfeed&utm_medium=twitter

http://www.comingsoon.net/news/movienews.php?id=73122

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Quite a few of my favorite actors and actresses have made Forbes’ list of top on-screen couples. Rupert Grint (Ron Weasley) and Emma Watson (Hermione Granger) from Harry Potter came in first place!

Viggo Mortensen (Aragorn) and Liv Tyler (Arwen) from The Lord of the Rings came in second.

The list also included Orlando Bloom (Will Turner) and Keira Knightley (Elizabeth Swann) from the Pirates of the Caribbean franchise. I particularly liked this scene in PotC 3:

Hayden Christensen (Anakin Skywalker) and Natalie Portman (Padme’ Amidala) from Star Wars were also chosen.

Find out who else made the list right here: http://www.forbes.com/2011/01/06/harry-potter-lord-rings-titanic-business-entertainment-top-on-screen-couples.html Who did you like on this list? Comments are welcome. :)

UPDATE: Here’s another link that is related to this discussion: http://www.hollywoodlife.com/2011/01/07/twilight-kristen-stewart-robert-pattinson-money/#276996-0-010711_forbes_couples_potter_XXXX. Please vote for Ron and Hermione!

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Here it is! The Secrets of Harry Potter Episode #63–”Christmas at Hogwarts” is now available for download. (You can listen to this podcast on your computer’s speakers if you don’t have an ipod.)

http://secrets.sqpn.com/2010/12/23/shp-63-christmas-at-hogwarts/

The blog post that we were discussing is this one: http://phoenixweasley.wordpress.com/2010/12/20/christmas-in-harry-potter-and-the-deathly-hallows/ You can refer to it so see the photos of the Deathly Hallows film set that we were discussing.

Jim, Ari, Maria, Lyn, and I recorded this episode on Wednesday morning. Let me know what you think of it! :)

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I just read a fascinating interview with Daivd C. Downing, the author of the Inklings novel Looking for the King. His comments on C. S. Lewis, J. R. R. Tolkien and Charles Williams are very insightful and exhibit Mr. Downing’s great knowledge of the Inklings’ personalities, interests, and other biographical information. I really love what he had to say about the quest for the Spear of Destiny and the theme of renunciation in The Lord of the Rings:

DOWNING: The spear of Longinus (the traditional name given to the soldier who thrust his lance into Christ’s side) is only one of many ancient artifacts associated with the Crucifixion. But it has a special aura about it because of its alleged powers. It is said that the Emperor Constantine claimed to have the spear, given to him by his mother Helena after her famous pilgrimage to the Holy Land. Legend has it that Constantine boasted he would never lose a battle so long as he possessed the spear. After that, all the conquerors seemed to lay claim to it.

Charlemagne said he had the spear, adding that it always brought him victory and even allowed him to read the thoughts of his enemies. As the fabled lance came to be known as the Spear of Destiny, it is said that both Napoleon and Hitler tried to lay their hands on it — though accounts differ widely about the veracity of these claims.

But if the Spear is seen as a talisman of power, that would make it almost the opposite of “Christ-centered.” Christ emptied himself of power on the cross, refusing to call down legions of angels to come to his aid. As Tolkien suggests in his Lord of the Rings epic, perhaps the truly Christ-like act is not to seek out such power, but to renounce it. That is a question I try to explore in Looking for the King.

Renunciation of power as a primary theme in The Lord of the Rings has intrigued me ever since I read Rendel Helms’ explanation of it in Tolkien’s World. Nearly all of Tolkien’s most noble, heroic, and admirable characters are tempted by the Ring (or some other type of power), and they exhibit their true worthiness by renouncing it. In the novel and in the films, we see that Frodo, Sam, Gandalf, Aragorn, Galadriel,and  Faramir are all tempted by the power of the Ring and all of them exhibit great moral courage and strength of character by renouncing it. Another example of renunciation in The Lord of the Rings is when Eowyn renounces her “love” for Aragorn when she finally realizes her first desire was for honor and glory as a warrior and then afterwards, her desire was for power as the wife of a king. She then confesses that she no longer wants to be the Queen of Gondor when she finds true love with the humble steward, Faramir. The depressed and lonely Eowyn finds true love and happiness only when she renounces the selfishness of honor, glory, and the tempatations of power.

This Christian theme of renunciation is also found in the Harry Potter series. In the first novel of the series, Harry is able to take the Philospher’s Stone from its hiding place in the Mirror of Erised because he only wants to stop Voldemort from using it to obtain an immortal body. Harry has no desire to use the Stone for himself and gladly renounces the temptation to use it to obtain as much life and wealth as anyone could ever want. In the seventh novel Harry renounces two of the Deathly Hallows: the most powerful wand ever made–the Wand of Destiny–along with the Resurrection Stone. The uncanny similarities between the Wand of Destiny and the Spear of Destiny are described in my book, The Lord of the Hallows: Christian Symbolism and Themes in J. K. Rowling’s Harry Potter.

I also agreed with David C. Downing’s remarks about the recent controversial opinion voiced by actor Liam Neeson with regards to who or what Aslan represents in The Chronicles of Narnia.

LOPEZ: Could Narnia’s Aslan be Mohammed, as Liam Neeson recently suggested?

DOWNING: Neeson is a fine actor, but he is not a theologian or a Lewis scholar. Of course, Mohammed said he was a prophet of Allah; he did not claim to be divine himself. So the analogy doesn’t really work.

 I suppose what was meant is that Aslan could represent the God of any religion. That is high-minded and well-intentioned, but it doesn’t do justice to the Chronicles. You can pick up just about any guide to the Narnia books to discover how deeply rooted they are in Lewis’s Christian faith. In my book Into the Wardrobe, I argue that the Chronicles constitute Lewis’s Summa Theologica, the fullest and most comprehensive expression of his Christian worldview.

I wouldn’t presume to give Mr. Neeson any tips about acting. And I think he would do well to avoid any politically correct but puzzling remarks about the spiritual foundations of the Chronicles.

You can read the entire interview with David C. Downing here:  http://www.nationalreview.com/articles/255485/thinking-and-believing-interview?page=1

Also, I’d like to recommend this blog post to Christian fans of The Lord of the Rings. This is a link to a blog post about Samwise Gamgee made by my friend and fellow author Michelle Weston: http://www.mbwestonblog.com/2010/12/somewhat-daily-inspirations-i-am-samwise.html

Comments are welcome! :)

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I’ll be a guest on the next episode of “The Secrets of Harry Potter,” SQPN’s Harry Potter podcast. The topic of the show is “Christmas,” so with that in mind, I decided to share part of one of my lectures on Christian symbolism in the Harry Potter series with those of you who follow this blog.

Early in the chapter called “Godric’s Hollow,” Harry’s despair is overwhelming:

They had discovered one Horcrux, but they had no means of destroying it: The others were as unattainable as they had ever been. Hopelessness threatened to engulf him. (Hallows 313)

But it is when Harry begins to lose hope in the chapter entitled “Godric’s Hollow” that Rowling uses the strongest Christian imagery in the series thus far. Harry sees the “little church whose stained-glass windows were glowing jewel-bright” and hears the sound of Christmas carols which “grew louder as they approached the church. It made Harry’s throat constrict, it reminded him so forcefully of Hogwarts.” (Hallows 323-324)

The stained glass window design from the book Harry Potter Film Wizardry

Christ the King is depicted along with the Four Evangelists, Matthew, Mark, Luke, and John. Notice the four angels hovering and the descending dove of the Holy Spirit.

      

   Then, as Harry and Hermione walk through the churchyard, they discover the gravestones of Kendra and Ariana Dumbledore, and of James and Lily Potter. The fact that these tombs are found in a churchyard means that the wizard and witches buried there were laid to rest in hallowed ground, which means the Dumbledores and the Potters were given a Christian burial.

 That James and Lily may have belonged to a church or believed in the Christian religion isn’t such a radical idea as some might think. In a 2004 interview at the Edinburgh Book Festival, J. K. Rowling was asked if Harry Potter has a godmother. Her response was:

“No, he doesn’t. I have thought this through. If Sirius had married…Sirius was too busy being a rebel to get married. When Harry was born, it was at the very height of Voldemort fever last time so his christening was a very hurried, quiet affair with just Sirius, just the best friend. At that point it looked as if the Potters would have to go into hiding so obviously they could not do the big christening thing and invite lots of people. Sirius was the only [godparent], unfortunately.”

In this interview, Rowling revealed that Harry was christened, meaning that he was baptized as an infant. Further proof that the Dumbledores and the Potters may have held Christian beliefs can be found in the quotations from the New Teastament which are inscribed on their grave markers.

Harry stooped down and saw, upon the frozen, lichen-spotted granite,  the words KENDRA DUMBLEDORE and, a short way below her dates of birth and death, AND HER DAUGHTER ARIANA. There was also a quotation: Where your treasure is, there will your heart be also. (Hallows 325)

This inscription is from the Gospel of Matthew, chapter 6, verse 21, which should be examined in the context in which it appears in the Bible: This quotation is from Christ’s “Sermon on the Mount.”

Do not store up for yourselves treasures on earth, where moth and rust consume and where thieves break in and steal; but store up for yourselves treasures in heaven, where neither moth nor rust consumes and where thieves do not break in and steal. For where your treasure is, there will your heart be also. (Matthew 6:19-21, NRSV)

This passage warns against storing up earthly treasures, as Voldemort did by using valuable objects such as Slytherin’s ring and locket, Hufflepuff’s cup, and Ravenclaw’s diadem to create Horcruxes in attempt to cheat death and gain physical immortality. In his youth, Dumbledore did something similar by seeking the earthly treasures known as the Deathly Hallows in order to become the master of death. Unlike Voldemort, Dumbledore learned that earthly treasures can be lost or stolen. He learned not to try to escape from death, but to embrace it. Dumbledore learns that the only immortality worth having is not in this life, but in the life one receives after death.  In the graveyard scene, Harry has the notion that Albus Dumbledore may have chosen the inscription on Kendra and Ariana’s tomb himself. What we know of his experiences seems to indicate that he did.

          Later in this chapter, Harry reads the writing on his parents’ grave markers, encountering the second Bible quote Rowling used in the novel:

                   The last enemy that shall be destroyed is death.

Harry read the words slowly, as though he would have only one chance to take in their meaning, and he read the last of them aloud. “ ‘The last enemy that shall be destroyed is death’…” A horrible thought came to him, and with it, a kind of panic. “Isn’t that a Death Eater idea? Why is that there?”

“It doesn’t meaning defeating death in the way the Death Eaters mean it, Harry,” said Hermione, her voice gentle. “It means…you know…living beyond death. Living after death.” (Hallows 328)

Indeed, Hermione’s interpretation is closer to the truth than Harry’s. The Bible verse quoted here is St. Paul’s Letter to the Corinthians, chapter 15, verse 26. Paul wrote to the Corinthians about Christ’s resurrection being an indicator that Christ’s followers would also be resurrected. In the Resurrection, death would truly be destroyed, and the faithful will “live beyond death” as Hermione described it.

Before they leave the churchyard, Hermione conjures a wreath of Christmas roses to lay upon the tomb of James and Lily. According to the tradition of Christian symbolism, the Christmas Rose is a symbol of the Nativity. The symbolism of the Holy Family of Joseph, Mary, and the infant Jesus can also be found in the monument of the Potter family, a memorial sculpture that depicts James, Lily, and the infant Harry.

          This hauntingly beautiful chapter takes place on Christmas Eve. In the works of Lewis and Tolkien, the significance of Christmas cannot be overlooked. The four protagonists in The Lion, the Witch, and the Wardrobe receive gifts, weapons they will need to fight against the White Witch, from Father Christmas. They learn that Aslan is on the move and the White Witch’s reign over Narnia is soon to end.

The timeline that Tolkien devised for The Lord of the Rings shows that the nine heroes of The Fellowship of the Ring departed from Rivendell on December 25th. This was the beginning of their quest to destroy the One Ring , an event that would result in the downfall of the dark lord Sauron. According to Tolkien, Middle-earth’s future is our past and present. Tolkien chose the December 25th date to foreshadow that in Middle-Earth’s future, the Incarnation would occur that day, an event that marked the beginning of the end of mankind’s enslavement to sin and the defeat of Satan.

          The White Witch and Sauron are the “Satans” of the fictional universes they inhabit. If they knew that the events occurring at Christmastime would lead to their destruction, we could surmise that these adversaries would cry out in rage at their impending doom.

          On page 342, Harry and Hermione, disguised as a middle aged couple, make a narrow escape from the trap set for them by Voldemort.

And then his scar burst open and he was Voldemort and he was running across the fetid bedroom, his long white hands clutching at the windowsill as he glimpsed the bald man and the little woman twist and vanish, and he screamed with rage, a scream that mingled with the girl’s, that echoed across the dark gardens over the church bells ringing in Christmas Day…

Voldemort’s wail of frustration, piercing the cold night air at just the very moment the church bells proclaimed the birth of Christ, reminds me of an English Christmas tradition.

An old Christmas Eve custom called ringing the Devil’s Knell, persists in the town of Dewsbury in Yorkshire. The practice sprang up around the folk belief that the Devil dies each year at the moment when Christ is born. The Church bells still toll on Christmas Eve in Dewsbury announcing the Devil’s demise. [This is a quote from The Encyclopedia of Christmas byTanya Gulevich, page 183.]

This tradition is also found in Ireland.

Many believed spirits walked abroad on Christmas Eve and deemed it wiser not to venture outdoors after dark. About an hour before midnight, church bells all over Ireland began to ring. This tolling, known as “the Devil’s funeral” or the Devil’s Knell, announced the death of the Devil, who was believed to expire annually on Christmas Eve with the birth of Jesus Christ. (Gulevich 286)

Harry had escaped from being murdered by Voldemort once again, not on the Eve of All Hallows, but on Christmas, the holiest night of the year. Rowling brilliantly sounded the Devil’s Knell in triumphant counterpoint to the Dark Lord’s scream of rage: this event heralds the beginning of Harry’s triumph and serves as a warning to the Dark Lord that his days are numbered.

          It is on the day after Christmas that Harry and his friends begin to make real progress in accomplishing their mission to defeat Voldemort. Just as King Arthur’s knights followed the white stag through the forest to find the Grail Chapel, Harry followed the silver doe to a frozen forest pool where he saw a shape  like “a great silver cross” (Hallows 367).  It was the Sword of Gryffindor hidden beneath the ice. The sword is one of the most fundamental Christian symbols:

The Cross is God’s sword, held at the hilt by the hand of Heaven and plunged into the world not to take our blood, but to give us His.– Peter Kreeft    

      

Harry, while wearing the locket, tried to retrieve the sword, but the Horcrux around his neck began to choke him. It was when Harry began to drown that Ron returned to save his life. Proving himself to be a true Gryffindor, Ron pulled the sword from the water and severed the locket’s hold on Harry. Voldemort, like Satan the Father of Lies, made a desperate effort to claim Ron as his own, and Ron, like the weasel who strikes against the venomous serpent, was able to strike the first fatal blow against Voldemort by destroying the locket Horcrux with Gryffindor’s sword.

          In terms of Christian symbolism, this chapter gives us two sacramental images, baptism (Ron, like John the Baptist, draws Harry up from the water) and reconciliation (Ron is truly sorry for abandoning Harry and is forgiven by him).

If you liked this post, you can read more about this topic in The Lord of the Hallows: Christian Symbolism and Themes in J. K. Rowling’s Harry Potter, which is available from www.outskirtspress.com/thelordofthehallows.

The “Secrets of Harry Potter” podcast’s Christmas episode will be recorded on Wednesday morning, and I’ll be a guest on the show. Please watch this blog for updates about this new episode. :) Meanwhile, here’s SHP’s review of Harry Potter and the Deathly Hallows Part One: http://secrets.sqpn.com/2010/11/26/shp-62-deathly-hallows-part-i-movie-review/ Enjoy!

Please comment on this post. I’d love to hear your thoughts about Christmas in all seven of the Harry Potter novels. :)

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Update: This event is happening today! :)

The “Fandemonium” programming track of the 2010 Red Stick Animation Festival will feature two of my lectures on Christian themes in Tolkien’s The Lord of the Rings and J. K. Rowling’s Harry Potter and the Deathly Hallows. Both presentations will be given on November 13, 2010 at the Hilton Capitol Center, located at 201 Lafayette St. in Baton Rouge, Louisiana. You can read more about this exciting event and view a programming schedule at http://www.redstickfestival.org/events_schedule.asp?Day=Saturday.

The presentations that I am giving are at 12:00 noon and at 3:00 p.m. I’ll also have copies of my book, The Lord of the Hallows: Christian Symbolism and Themes in J. K. Rowling’s Harry Potter to sign if you are interested in obtaining a copy. The book is also available at www.outskirtspress.com/thelordofthehallows if you wish to purchase it online.

Here are some of the rave reviews that the book has gotten so far:

“Roper is a talented writer that obviously double checks all her facts, and she writes her literary criticism in a very professional and scholarly way. I’m glad to have a copy and enjoyed every page.”—J. W. Braun, author of The Lord of the Films: The Unofficial Guide to Tolkien’s Middle Earth on the Big Screen

“There is a danger in being friends with John Granger, and that is in assuming that all the symbolism in the Potter books has already been discovered. One of my chief criteria for a book examining the Harry Potter series is that it add something new to our collective knowledge of them. This book met and surpassed that criteria.”—A.T. Ross, Literary Scholar

“This wonderful book will delight not only Christians, but all students of spirituality and mythology. It is filled with fascinating arcane information, yet the author’s engaging and descriptive style results in a text that never feels weighed down by its rich content matter…. Anyone interested in literature and religion will find this volume to be a valuable addition to their library.”—Logospilgrim, author of Bring Forth the Best Robes: A Spiritual Understanding of Severus Snape

 “She has produced an extremely well-researched scholarly work that will appeal equally to fans of epic fantasy and those interested in modern religious literary studies. I enjoyed the book very much, and found her arguments compelling.”—Rob Hermanowski at www.goodreads.com  

 “This slim volume, which belongs on the shelf beside John Granger‘s The Hidden Key to Harry Potter and Connie Neal‘s The Gospel According to Harry Potter, endeavors to prove that, like C.S. Lewis in the Narnia books, Rowling has successfully managed to sneak an explicitly Christian message ―past watchful dragons. While this is, of course, not the only way the Harry Potter books can be read, Roper convincingly argues that Rowling demonstrates an impressive command of Christian symbolism and themes, and that the books tell a story not only compatible with, but deliberately echoing and reinforcing, the story of Christ. Roper‘s own knowledge is extensive, and I learned a number of new things myself.”—Janet Brennan Croft, University of Oklahoma; Editor of Mythlore, the scholarly journal of the Mythopoeic Society.

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Today I finished reading David C. Downing’s Looking for the King: An Inklings Novel and I gave it a 5-star review at goodreads.com. This is the synopsis of the novel:

Looking for the King: An Inklings Novel
“It is 1940, and American Tom McCord, a 23-year-old aspiring doctoral candidate, is in England researching the historical evidence for the legendary King Arthur. There he meets perky and intuitive Laura Hartman, a fellow American staying with her aunt in Oxford, and the two of them team up for an even more ambitious and dangerous quest. Aided by the Inklings-that illustrious circle of scholars and writers made famous by its two most prolific members, C. S. Lewis and J. R. R. Tolkien-Tom and Laura begin to suspect that the fabled Spear of Destiny, the lance that pierced the side of Christ on the cross, is hidden somewhere in England. Tom discovers that Laura has been having mysterious dreams, which seem to be related to the subject of his research, and, though doubtful of her visions, he hires her as an assistant. Heeding the insights and advice of the Inklings, while becoming aware of being shadowed by powerful and secretive foes who would claim the spear as their own, Tom and Laura end up on a thrilling treasure hunt that crisscrosses the English countryside and leads beyond a search for the elusive relics of Camelot into the depths of the human heart and soul. Weaving his fast-paced narrative with actual quotes from the works of the Inklings, author David Downing offers a vivid portrait of Oxford and draws a welcome glimpse into the personalities and ideas of Lewis and Tolkien, while never losing sight of his action-packed adventure story and its two very appealing main characters.”–synopsis at goodreads.com
I enjoyed this book for many reasons: the Spear of Destiny plot was intriguing, the original main characters (Tom and Laura) are likeable and interesting, and the most importantly, the Inklings dialogue was based on quotations from their published works, letters, and biographies. When reading this book I felt that I had actually met C. S. Lewis, J. R. R. Tolkien, and Charles Williams. Hugo Dyson’s appearance in the novel is brief, but nearly all of his lines were really hilarious. I also enjoyed the cameo appearance by Tolkien’s daughter Priscilla. Downing’s detailed descriptions effectively captured the atmosphere of wartime England in 1940. He made so many references to places of interest to seekers of the “historical” Grail Hallows that I was compelled to search online for photos of the places he described in such fascinating detail. One such location, for example, is the cave of the Knights Templar at Royston. I was also very interested by the Celtic Cross at Gosforth and it’s link to the Spear of Destiny legend.

Look at the bottom of the fourth drawing for the figures of a crucified man, a figure holding a spear, and a figure collecting the blood. Is this ancient stone carving a link to the Spear of Destiny legend? Another interesting place that we visit in this novel is the Abbey of Malmesbury which has a stained glass window designed by Edward Burne-Jones that is described in detail.

The first figure is of St. George, and the second is of the devout king, St. Ethelbert. The third figure is supposed to be St. Longinus the Ceturion with the Spear of Destiny. Downing gives his readers a convincing story of how the legendary spear may have been hidden in England and how the lance that Hitler obtained from Austria’s Hofburg Museum in the Second World War was probably not the true Spear of Destiny.

There are many wonderful Inklings moments in this novel. At the suggestion of C. S. Lewis, Tom McCord attends a lecture on the Holy Grail legends given by Charles Williams at Oxford. After the brilliant lecture, Tom has a conversation with Williams:

“I can’t say I’m a believer,” said Tom. “It all seems like wish-fulfillment and hocus-pocus to me.”

Laura winced, but Williams didn’t seem to mind the comment at all. “Fair enough,” he said. “It is only the arrogant or the insecure who claim to know about such things, unless perhaps you are a genuine mystic. For the rest of us, all we can do is choose what to believe.” (page 58)

The line “all we can do is choose what to believe” really stood out for me. I recently blogged here about how “making the choice to believe” is a theme in Rowling’s Harry Potter and the Deathly Hallows and C. S. Lewis’s The Silver Chair. This line introduces the reader one of the story’s most important character arcs: Tom McCord’s journey from agnosticism to faith.

Another favorite moment of mine is when Tom is allowed to attend an Inklings meeting at the famous pub, The Eagle and Child (a. k. a. the “Bird and Baby”). The conversation turns to the “dying god” story of various mythologies–the Egyptian Osiris and the Norse Balder to name two examples– and the role of such mythologies in C. S. Lewis’s conversion to Christianity. Tolkien explains, “We believe that the great and universal myth, the dying god who sacrifices himself for the people, shows everyone’s inborn awareness of the need for redemption. As we understand it, the Incarnation was the pivotal point in which myth became history.” (page 144) During this conversation Tom “felt himself outnumbered, a whole tableful of believers, and every one of them a formidable intellect.” (page 145)  Tom’s main obstacle in making the “choice to believe” at this point in the story seems to be the problem of evil. If God is all-good and all-powerful, why does so much pain and suffering exist? Lewis helps Tom to understand that if God intervened every time someone did an evil act or had an evil thought, God would be taking away the Free Will of humanity.

There are also numerous references to the published works of the Inklings authors as well as hints of “future” publications. An example is when Lewis says, “We’re hoping that Tollers will favor us with the latest installment of his ‘new Hobbit’.” (page 150) The new Hobbit of course, would be published about 15 years later as The Lord of the Rings. I loved that the characters of Bilbo, Frodo, Sam, and Strider are all mentioned in the novel. Lewis also alludes to the series of novels that he is about to write when he says that he has been sheltering war evacuee children at his home: “They’re charming creatures, though they don’t know how to entertain themselves. I was thinking that there might be a story in that–children sent away from London who have a series of adventures in the country. I started something a few months ago.” (page 251) The story that Lewis was referring to, of course, would be the first book of The Chronicles of Narnia.  :)  

Another part of the story that I loved was Tom and Laura’s visit to Tolkien’s house. Apparently “Tolkien” (the fictional character in the novel) is quite the expert on the various legends of the Spear of Destiny, and his vast knowledge helps Tom and Laura to understand all of the unsolved mysteries of their quest. (pages 163-170) I loved this part because Professor Tolkien recounts the history of the Holy Lance in great detail, and I could definitely identify with the good professor in this scene. Much of what he says in this chapter I had discovered myself from researching the history of Spear of Destiny for my book, The Lord of the Hallows. (Visit www.outskirtspress.com/thelordofthehallows for more information.)

I won’t spoil the climax of the novel’s main action, but the climax of the story’s spiritual dimension is Tom’s conversation with Lewis, in which they return to their discussion of the problem of evil. Lewis says, “If some amoral brute created the world, he also created our minds. And how can we trust moral judgments given to us by this same amoral brute? If you reject God because there is so much evil in the universe, you need to explain where you obtained your standard for discerning good and evil.” (pages 211-212) Lewis offers further proof of God’s existence in humanity’s “homesickness for heaven,” and then he quotes St. Augustine: Our hearts are restless until they rest in Thee. “If the Christian view is right, we are all exiles from paradise.” (page 214) Tom then realizes that his entire quest may not have been his own, but the will of Another. He prays for the first time in the novel and by doing so, Tom makes his choice to believe. Initially, Tom went on a quest for the historical King Arthur, but did not find him. He found faith in the King of Kings instead.

This novel is a must-read for Inklings fans and is available from the publisher, Ignatius Press, at http://www.ignatius.com/Products/LFK-H/looking-for-the-king.aspx?src=iinsight. You can also find a listing of Dr. David Downing’s scholarly books on C. S. Lewis and a few short, but very positive reviews of Looking for the King at the publisher’s site. This novel was truly a delight. Please let me know if this review was helpful to you in the comments section. Thanks!

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This is another excerpt from The Lord of the Hallows: Christian Symbolism and Themes in J. K. Rowling’s Harry Potter  for you to enjoy. I think the popularity of both The Lord of the Rings and of the Harry Potter series is due in part to the loving  relationships between the heroic characters and the loyalty that these brave friends have for each other.

 Both in Christianity and in Harry Potter’s world self-sacrificial love has the power to defeat the Curse of Death.

          In the first four novels, Voldemort was unable to touch Harry because of the protection of Lily Potter’s loving self-sacrifice:

“Your mother died to save you. If there is one thing Voldemort cannot understand, it is love. He didn’t realize that love as powerful as your mother’s for you leaves its own mark. Not a scar, no visible sign…to have been loved so deeply, even though the person who loved us is gone, will give us some protection forever.” (SS 299)

Lily's self-sacrifice saved Harry from the Death Curse.

          Dumbledore again mentioned that Lily’s blood shed in self-sacrifice was a powerful protection against evil in Harry Potter and the Order of the Phoenix, “Your mother’s sacrifice made the bond of blood the strongest shield I could give you.” (OP 836) 

Lily shed her blood to save her son, just as Jesus shed his blood on the Cross to save the human race from sin and death.

Harry lost this protection in Harry Potter and the Goblet of Fire when Voldemort used Harry’s own blood to return in the flesh. This event would contribute to Lord Voldemort’s downfall in the seventh novel. There is a passage in Goblet of Fire that indicates that Dumbledore knew this would happen:

“He said my blood would make him stronger than if he’d used someone else’s,” Harry told Dumbledore. “He said the protection my—my mother left me—he’d have it too. And he was right–he could touch me without hurting himself, he touched my face.”

For a fleeting instant, Harry thought he saw a gleam of something like triumph in Dumbledore’s eyes. (GF 696)

"I can touch you now."

          Voldemort was able to possess Harry in Book 5 due to the fact that Lily’s blood no longer offered Harry protection. However, this terrible circumstance led Harry to make an important discovery: the power that Lily had is a power that Harry has as well. It is the same power that is behind the enigmatic Locked Door in the Department of Mysteries:

“It contains a force that is at once more wonderful and more terrible than death, than human intelligence, than the forces of nature…It is the power held within that room that you possess in such quantities and which Voldemort has not at all.” (OP 843)

Harry has" The Power the Dark Lord Knows Not," and he defeats Voldemort with it in Deathly Hallows.

When Harry was possessed by Voldemort in Order of the Phoenix, he was able to save himself using the Power the Dark Lord Knows Not, the power of love.

  Harry’s friends have this power as well. Ron and Hermione risked their lives to help Harry to defeat evil many times throughout the series. The theme of self-sacrificial love is present from the first book onward, not just in the tale Lily’s dying to save baby Harry from Voldemort, but in Ron’s heroic actions in the giant chess game.

          “We’re nearly there,” he muttered suddenly. “Let me think—let me think…”

          The white queen turned her blank face toward him.

          “Yes…” said Ron softly, “it’s the only way…I’ve got to be taken.”

          “NO!” Harry and Hermione shouted.

          “That’s chess!” snapped Ron. “You’ve got to make some sacrifices!” (SS 283)

"Greater love hath no one than this, that a man lay down his life for his friends." John 15:13, KJV

Ron willingly sacrificed himself in the chess game to save his friends. By risking his life, Ron allowed Harry to win the game, and then  prevent Quirrell from obtaining the Philosopher’s Stone.

Harry, like Frodo in The Lord of the Rings, tried to travel alone on his mission to destroy a great evil, but in both situations, their friends would not allow it. Both Rowling and Tolkien made a point about the importance of fellowship. The hero may save the world, but it is his friends who save him. Three hobbits from the Shire accompany Frodo on his mission, Sam, Merry, and Pippin:

“Merry and I are coming with you. Sam is an excellent fellow, and would jump down a dragon’s throat to save you, if he did not trip over his own feet; but you will need more than one companion in your dangerous adventure.” –Pippin (LOTR 102)

“You cannot trust us to let you face trouble alone…We are your friends, Frodo.” –Merry (LOTR 103)

Sam, Pippin, and Merry bravely accompany Frodo into danger.

Frodo warned Sam of the dangers they would face, but Samwise was not deterred:

 “But I am going to Mordor.”

“I know that well enough, Mr. Frodo. Of course you are, and I’m coming with you.”—Frodo and Sam (LOTR 397)

The love of his friends, especially that of Sam, is what sustained Frodo in his struggle to resist the influence of the Ring as he made his arduous journey to Mordor and Mount Doom. Sam’s devotion to Frodo is a selfless model of Christian love:

“It is going to be very dangerous, Sam. It is already dangerous. Most likely neither of us will come back.”

“If you don’t come back, sir, then I shan’t, that’s certain,” said Sam. Don’t you leave him! They said. I never mean to. (LOTR 85)

"I can't carry it for you, but I can carry you and it as well." Sam carries Frodo and the Ring when Frodo is too weak to continue his journey to Mount Doom.

Just as Frodo desired to complete his terrible journey alone, so did Harry insist upon going after the Philosopher’s Stone by himself.

“I’ll use the invisibility cloak,” said Harry. “It’s just lucky I got it back.”

“But will it cover all three of us?” said Ron.

“All—all three of us?”

“Oh, come off it, you don’t think we’d let you go alone?”

“Of course not,” said Hermione briskly. “How do you think you’d get to the Stone without us? I’d better go and look through my books, there might be something useful…” (SS 271)

Ron and Hermione accompany Harry on his mission to protect the Philosopher's Stone.

When the trio is faced with the task of getting past the giant three-headed dog, Fluffy, all three of them realize the dangers that await them.

“If you want to go back, I won’t blame you,” [Harry] said. “You can take the cloak, I won’t need it now.”

“Don’t be stupid,” said Ron.

“We’re coming,” said Hermione. (SS 271)

In the adventure that followed, Ron sacrificed himself to save Harry and Hermione in the giant chess game, and Hermione, after solving the potions riddle, reminded Harry about which of a person’s qualities matter most: “Books! And cleverness! There are more important things—friendship and bravery.” (SS 287)

Hermione reminds Harry of the importance of friendship and bravery.

          In Harry Potter and the Deathly Hallows, Dumbledore remembered Ron and Hermione as well as Harry when he made his will. His intention was to have all three of them go on the mission to destroy the Horcruxes together, knowing that Harry should not face such terrible dangers alone. As Gandalf said, with regards to Merry and Pippin going on the quest, “I think, Elrond, that in this matter it would be well to trust rather to their friendship than to great wisdom.” (LOTR 269, emphasis mine).  Gandalf, like Dumbledore, knows that the love and loyalty of friends is a powerful weapon against the darkness that threatens to engulf the world. Love isn’t just the power that allows Frodo and Harry to save others, it is also the power that saves them from the evil they must confront.

          Rowling, in my opinion, has made a reference to Sam’s loyalty and devotion at the conclusion of Harry Potter and the Half-Blood Prince when Ron and Hermione insist on going with Harry on his mission to destroy the Horcruxes. Sam Gamgee, in one of his most memorable speeches, reminds us that he and Frodo are characters in a story. Their adventure is one of the stories that stays in our hearts, long after the telling of the tale is done.

"There's some good in this world, Mr. Frodo, and it's worth fighting for." --Sam Gamgee in the film version of The Two Towers

“But that’s not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them usually—their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn’t.” (LOTR 696)

Perhaps Rowling viewed Harry’s story as one of the “tales that really mattered” when she wrote the ending of the sixth of Harry’s adventures. At the close of the final chapter of Harry Potter and the Half-Blood Prince, Ron and Hermione express a devotion to Harry in words that echo Sam Gamgee’s selfless loyalty.

 “We’ll be there, Harry,” said Ron

 “What?”

“At your aunt and uncle’s house,” said Ron. “And then we’ll go with you wherever you’re going.”

“No,” said Harry quickly; he had not counted on this, he had meant them to understand that he was undertaking this most dangerous journey alone.

“You said to us once before,” said Hermione quietly, “that there was time to turn back if we wanted to. We’ve had time, haven’t we?”

“We’re with you whatever happens,” said Ron.

The final scene of Harry Potter and the Half-Blood Prince: Hermione and Ron promise to accompany Harry on his most dangerous mission of all.

 

I hope you enjoyed this excerpt from The Lord of the Hallows: Christian Symbolism and Themes in J. K. Rowling’s Harry Potter.  

I was upset when I saw how the film version of Harry Potter and the Half-Blood Prince differed from the novel. In the movie version, Hermione made her pledge of loyalty to Harry, but Ron remained silent, unlike Ron in the novel. This is one of many examples I could give of how these films have slighted Ron as a character, and it continues to upset me. I hope they portray him correctly in the film adaptations of Harry Potter and the Deathly Hallows. Comments are welcome!

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